Inspired by Blade Runner, and designed by me, these fan-made, non-canon ‘wallet stuffers’ are now available on eBay and the RPF:
I have endeavoured to capture not only the style of the 1982 sci-fi film, but also somewhat maintain the technical limitations of the period (to a certain degree). My card has a very simple, limited palette of colors, no holograms, no embossed text, no full-color graphics, no QR codes, etc. My card is four-color process printed on a thin, flexible plastic stock; thinner and softer than a credit card, but more durable than paper cardstock.
And also available in the Project Runs section of the RPF’s junkyard, for members, wherein I will offer certain, limited international shipping.
H. P. Lovecraft began to write The Shadow Over Innsmouth in 1931. In one part of Zadok Allen’s history, he mentions “certain signs” belonging to the ‘Old Ones’ which have powers over (or against) the Deep Ones:
“…sarten signs sech as was used onct by the lost Old Ones … them old magic signs as the sea-things says was the only things they was afeard of … In some places they was little stones strewed abaout—like charms—with somethin’ on ’em like what ye call a swastika naowadays. Prob’ly them was the Old Ones’ signs…”
While this use of the swastika may seem incongruous to a late 20th / early 21st century audience, it is in fact a very old symbol, appearing in ancient North America, Europe, Africa and India. What most likely prompted the use of it here (in the Pacific) in HPL’s story were the public speculations of James Churchward from 1926 on:
We know HPL was familiar with Churchward’s theories because he mentions him by name in Through the Gates of the Silver Key (1932) and Out of the Aeons (1933). Reading the first 3 paragraphs of the article above gives us a clear view at the then popular ‘lost continent’ stories in the public eye at the time, and the ‘evidence’ used to support them.
Based on my printed shirt, I’ve tweaked my art for the millionth time:
Though the end result looks like the whole thing simply had the brightness turned up, I tweaked almost every element individually: The CPUs, the Ono-Sendai logotype, the blue diamonds, the flowers & fans stokes, the flowers & fans fills, the circuit traces, the purple background and the blue background.
It may not be perfect, but the next one will be better…
“He was outside, waiting. Looking like your standard tourist tech, in plastic zoris and a silly Hawaiian shirt printed with blowups of his firm’s most popular microprocessor; a mild little guy…”
Mr. Gibson: Thanks for everything :)